CRISTINA CORDOBA || GIVING LIFE: a study of proportion, anatomy and expression in the torso


JUZ KITSON || UNCANNY OBJECTS IN CLAY: a reference to the Wild


Uncanny Objects in Clay
with Juz Kitson
September 23-Oct 6, 2018

Join this experimental hand-building course to create individualised ceramic objects for a unique installation and learn about the properties of various clays, such as porcelain, stoneware and raku clay.
Juz Kitson gives instructive, practical demonstrations on how to push and pull the materials and teaches you how to build up forms and prepare surface treatments. She encourages you to draw inspiration from the natural world, focusing on the familiar and unfamiliar, as well as on human and animal forms. Selected works will be fired in high fired oxidation gas kilns and Raku firings.  Shipment of finished works is the responsibility of each participant (the studio will support with packing materials and advice as to shipping possibilities)
Concepts:
o   The Uncanny
o   The Natural V’s Manmade
o   Bleaching. Devastation on the reef.
o   Natural wonders/ disasters
o   Familiar and unfamiliar landscapes
o   Interior and exterior, human and animal forms
o   Pre-science experiments
o   The Wunderkammer - Cabinet of Curiosities


For students further reading:
C-File Online
Ceramic Review Magazine
The Journal of Australian Ceramics Craft International
Ceramics Art and Perception Magazine Ceramics Monthly

Introduction to course
For our two week intensive workshop first and foremost it’s about ceramics, exploring the material to create ‘Uncanny’ objects that will come together as a collection or installation.
Our starting point is The ‘Uncanny’ which represents the strange and mysterious, especially in an unsettling way. It is described as eerie, unnatural, supernatural, unearthly, other-worldly, unreal, ghostly, mysterious, strange, abnormal, odd, curious, weird, bizarre, freakish...
Within my own artistic practice over the last ten years I have worked to push perceptions of ceramics and what you are ‘supposed’ to do - learning traditional notions and ways of making only to turn them upside down and create my own unique voice in the ceramic and contemporary art world.
And it’s something i want you to consider during our workshop - how can you re-invent a material steeped in history.
My exploration began in my undergraduate degree at The National Art School in 2008 and it was the ceramics department that I felt were the most open to experimentation and working in a cross-disiplinary way. Given the time and freedom to explore / experiment through trial and error is a huge part of any creative practice and especially our course over the next two weeks.

OUTLINE/ OUTCOME
I want each of you to challenge yourself with each clay body through developing a series of objects/ works that explore your own personal interests / ceramic or contemporary artists of interest and intensely immersing and focusing on this body of work for the duration of the workshop; I will work individually with each student to develop and refine skills and guide everyone to draw, collage and collect resources and inspiration and document it in your visual diaries.
Also considering ways of installing the finished works.
Will the works be freestanding? Wall based? Or mounted onto a shelf?
What other components could you combine to the ceramic objects?
Natural fibres, resin, wood, cement, latex and found objects,etc.
Could you create structures out of the clay to display the pieces and use a combination of other materials like fabrics or fibre or introduce juxtaposing materials like rock/ wood and concrete. This workshop is completely open to pursue any of the above,
Intently focusing on the wonderful world of Ceramics and enjoying the process along the way.
Like in my own practice I never see entirely finished works - they are always works in progress, one work will ultimately lead into the next, it’s a process of evolution and as you become more familiar with the material, your ideas and through experimentation you will end up with a narrative of works that will tell a story; your individual story.
I will give instructive demonstrations on how to build up hand-built and tool formed symmetrical, textures and surface treatment with porcelain/ stoneware and terracotta and explore new ways of making but more importantly I will guide you individually to create your own individualized body of work.
Firing techniques will include high fired oxidation gas kiln, raku and black saggar firings.

Sept. 23, SUNDAY:              WELCOME DINNER
6pm MOKSA Restaurant opening of the workshop with a sumptuous meal, a time for introducing ourselves and getting to know the group.
Each student introduces themselves and speaks briefly of their ceramic/art experience? And what attracted you to the course? What ideas are you interested in?
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Sept. 24, MONDAY:             INTRODUCTION
Introduction to GAYA studio/facilities.
Powerpoint presentation.
Juz gives an in-depth look into her practice to date and experiences being based in an ancient porcelain city in China, exhibiting nationally and internationally and what motivates her to continue to pursue her practice creating ambitious porcelain and mixed media installations.
In the studio:
Introduction to course powerpoint presentation.
Course outline/ overview- Description of reference/inspiration points for individual projects - The Natural world (landscapes, coral reefs etc..) Familiar and Unfamiliar environments, Internal and external environments (both in human and animal forms) and the Cabinet of Curiosities/ Wunderkammer.
Demonstration: Building a basic interior structure/ maquette.
Creating textures / surface treatment and building form with hands only (no tools yet) - forms that are reminiscent of flora and fauna.
Activity: Select one image from Juz’s collection of succulents, cacti and flora and fauna and re-create it / re-interpreting the form so it is an exact representation or is of the essence. This exercise gets you looking at the form and understanding the complexity of structure within natural forms.
Focus: developing form, detail, texture, structure, composition and surface treatment.
(these forms will be sagger fired and raku fired)
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Sept. 25: TUESDAY:   CROSSING THE BOUNDARIES - International Artists
POWERPOINT Presentation
Introduction of Key International artists working with Ceramics.
working internationally pushing the boundaries of ceramics on a contemporary platform. International Artists include; Rachel Kneebone, Grayson Perry, Antony Gormley, Ai Wei Wei, Ikuko Iwamoto, Beth Cavanar, Kate Malone, Jason Briggs, William Cobbing, Crystal Morey, Phoebe Cummings, Zemer Peled, Crystal Morey, Takuro Kuwata, Claudia Fontes, Aneta Regal, Edward Eberle.
Demonstration:
Using Tools/ objects/ natural found material to create surface treatment - dots, punctures, stitching, folding, piercing.
Referencing a selection of previously mentioned ceramic artist techniques to explore new ways of making.
Activity: Select one of the Artists mentioned in the Power point presentation and re-create an object inspired by their work (or an artist of your choosing). Exploring form and surface treatment.
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Sept. 26, WEDNESDAY:     CROSSING THE BOUNDARIES - Australian Artists
Powerpoint presentation.
Introduction of Australian Artists working with Ceramics:
Jenny Orchard, Nell, Brendan Huntley, Lynda Draper, Steven Bird ,Glenn Barkley, Ben Quilty, Philippa Taylor, Vippo Srivilasa, Karlien Van Rooyen, Steven Bird, Madeleine Preston, Phil James.
Activity: Make one object/ collection of works inspired one of the Artists mentioned in the Power point presentation and re-create an object inspired by their work (or an artist of your choosing). Exploring scale, form, surface treatment and concepts.
(Afternoon: Juz will speak individually with each student to kick start them with their individual projects - directions, reference points and what they are interested in pursuing)
(LOAD works made so far to be bisque fired)
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Sept. 27, THURSDAY:        Excursion INTO THE JUNGLE
A visit to a water temple and studio visits to artisans carving bone and skulls in Tampaksiring.
Gather inspiration, drawing, photos, collecting resources, take imprints/ rubbings of textures. The dense jungle of Bali oozes rich inspiration - themes of budding life and regeneration. Excursion to Water temple and Tempaksiring to visit the studios of artisans working with bone carving.
(BISQUE FIRING)
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Sept. 28, FRIDAY:               ART FORMS IN NATURE
Inspired and refreshed…
Start the day by exploring subjects, ideas, textures, forms, materials guided by the excursion Into the Jungle and the studio visits from the previous day.
Afternoon Activity: Make one small object or a collection of small pieces inspired by the drawings of Ernst Haeckel (Art Forms in Nature).
Students experiment and explore the techniques learnt from previous days, developing an understanding the material. Creating experimental pieces and studies.
Afternoon Firing: Raku fire and Sagger firing (overnight)
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Sept. 29, SATURDAY:        EXQUISITE CORPSE
Group Activity: Exquisite corpse drawing exercise. Coloured pens/texters.
Make them wild and colourful!! Referencing Jake and Dinos Chapmans print series.
Activity: Re-create your Exquisite Corpse in porcelain - either freestanding or as a relief sculpture on a slab. Referencing Jake and Dinos Chapmans print series from 2000 and artists- Vipoo Srivalasa, Jenny Orchard, Phil James, Steven Bird (or an artist of your choosing)
Introduction of all clay bodies - Porcelain/ Stoneware/ Raku clay
Demonstration: Press-moulding (available moulds) and altering.
How to push and pull the material. (Students with experience have access to wheel to hand form structures and alter them)
Looking at botanical references/ flora and fauna/ seed pods/ succulents and still life objects. Introduction of and stoneware clay.
Show techniques of mixing clay bodies and underglaze/ stains together for marbling effects.
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Sept. 30, SUNDAY:             DAY OFF. Rest and Relaxation
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Oct.1, MONDAY:                 MAKE MAKE MAKE
Studio time: Start individual projects. Students can start drawing down ideas/ mind mapping/ collaging in visual diaries- creating a visual plan of ideas for their projects.
Thinking about Scale : (if they decide to work small scale - creating a collection of objects to form an installation or a series of large freestanding sculptures etc..) Students start making intensely - One on one tutorial with Juz to develop ideas and create a plan for their project.
HOMEWORK: (recommended but of course optional)
Research a Contemporary Ceramic Artist (either from the list previously mentioned or one of your own choosing) Write a 300 word statement about their practice, the conceptual basis behind their work, their motivations and techniques used. How does this artist push the boundaries of their chosen material? Do they only work with ceramics? Or is it the combination of other materials that sets them apart from their contemporaries?
Demonstration: Painting/ drawing on the surface/ using a heat gun/ bubble technique/ sgraffito.
Students should have a strong idea of what they will be pursuing. Students should be well underway to developing their projects. One-on-one tutorial with Juz.
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Oct. 2, TUESDAY:               STUDIO IMMERSION
Full Studio Day – one-on-one tutorials with Juz
Painting - Underglaze colour/stains/oxides
Students delve into their projects.
Refining artist statement/ drawings/ diagrams/ collage / reference images to be exhibited alongside the works in the open studio exhibition on the last day.
HOMEWORK:Write a minimum 300-word statement about your project, the conceptual idea you will explore, the techniques and forms, the reference points for inspiration and how you intend to install/ display the objects? Start gathering objects/ material/ photos/ drawings/ collage/ in your visual diaries
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Oct. 3, WEDNESDAY:        GAYA GLAZE ARCHIVE ROOM and FACTORY VISIT
Visit GAYA Glaze archive room for a peek into inspiration. Talk about possible glaze options for the works for these two brief weeks. (glazes will prepared--a small selection of possibilities will be available). Pour, Dunk, or Spray glaze - Transparent glaze, black, copper red etc...

Continue finishing collection of works by 12noon.
LOAD bisque kiln. Bisque fire all works made so far.

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Oct. 4, THURSDAY:                        GLAZE DAY
(Sagger or Raku firing for those interested)
Spray, or dip works.. PACK KILN for High Fired Gas reduction
FIRE GAS KILN
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Oct. 5, FRIDAY:                   BRINGING IT ALL TOGETHER
Prepare space and workbenches for exhibition - collection of materials and recourses that can be combined with the ceramic sculptures or objects can be displayed on for documentation, finish drawings, visual diaries and artist statements.
Unload gas kiln after lunch
Start configuring installations/ collections of works with other materials.
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Oct. 6, SATURDAY:                        INSTALLATION AND DOCUMENTATION
Finnish works- combining other materials
Set up all finished works for studio exhibition all around the studio.

                                                EXHIBITION

Morning exhibition and discussion of each person’s finished installation
Each student discusses their works/ experience.
Conclusion of workshop with lunch
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*Schedule is subject to revision prior to the commencement of the actual workshop
**all lunches during studio days will be catered family-style in the studio mezzanine midday
 

GAYA CERAMIC || NAKED: Raku



NAKED Raku
with Gaya Instructors:
Marcello Massoni, Michela Foppiani, and Hillary Kane

August 12-25, 2018


Seductively shimmering surfaces, burnished to a soft sheen as satin as skin... Naked Raku. Technically more complex in possibilities than meets the eye, this two-week focus study will endeavor to unveil the mysteries, and thoroughly explore the length and breadth of techniques. From finding suitable forms hand-built or wheel thrown, to burnishing, applying resistant slip, patterning surfaces in the simplest or the most intricate detail, smoking, and polishing-- each participant will become a budding expert in every nuance of practical knowledge, enough to commence an exploration of a lifetime. Gaya Ceramic's vast archive of Naked Raku production samples will enhance and inspire everyone's palette of possibilities... 


12 August: Sunday                Welcome Dinner                                Moksa Restaurant
6pm     a casual dinner of introductions, program discussion, and slide show.


13 August: Monday              Naked Raku: Utterly Unveiled        GCAC studio
The first session will be a detailed look at a variety of finished examples, dissecting each piece so that participants fully understand precisely how the design and feel were achieved. 
Pre-prepared samples will also be on hand to further walk through the steps of the process.

            NAKED RAKU EXAMPLES selected from archives and collections
·         Full resist and glaze on burnished surface (white, grey, black)
·         Full resist and glaze on textured surface
·         Burnished textures
·         Resist only (shades of grey)
·         Carving through resist and glaze (white, grey, black + line)
·         Various combinations
·         Suggestions on forms, burnishing, tools, resist and glaze application, cleaning, etc
·         Common challenges and mistakes



14 August: Tuesday              Suitable Forms                                  GCAC
Suggestions of types of forms will be made, and participants will jump into forming (by hand or wheel)



15 August: Wednesday         Beginning Burnishing                       GCAC
Burnishing techniques while throwing or hand-building—it’s all in the tool, and the touch…



16 August: Thursday            A Sheen Like Water                         GCAC
Bringing burnishing to a new level.  Terra Sigillata as another variable.



17 August: Friday                 Understanding RESISTANT SLIP            GCAC
Review demonstration of resistant slip and glaze application techniques; trouble-shooting design ideas for individual pieces; concluding making for first bisque firing; wares prepped for bisque fire loading



18 August: Saturday             EXCURSION                                                TBD



19 August: Sunday                FREE DAY!!!                                               Anywhere Bali
(Bisque kiln firing off)



20 August: Monday              Shades of Grey                                              GCAC
Firing utilizing RESISTANT SLIP ONLY.  Pairing down; understanding and nuancing your 100 shades of grey…



21 August: Tuesday              Pure NAKED Crackle                                 GCAC
Firing with full RESISTANT SLIP and GLAZE coverage.  Understanding the importance of thickness, application, burnish, and all the possible room for error.
(Loading 2nd Bisque kiln)


22 August: Wednesday         Increasing Complexity                                  GCAC
Waxing patterns, painting on, Carving through… upping the ante.  Can you keep your transitions clean?
(Possibility of 2nd Bisque Firing)


23 August: Thursday            Pure SMOKE                                                GCAC
For horse hair squiggles, feathery wisps, freckling of saw dust, or satin saggar blacks…



24 August: Friday                 Fire Finale                                          GCAC
Mixed styles of firing—refining your performance art. 
Post-firing clean-up/preservation of delicate surfaces for longevity.



25 August: Saturday Concluding Display and Discussion GCAC
Enjoy a moment to take in and review all that was learned.  Packing (materials available).
Departure.


*Schedule is subject to revision prior to the commencement of the actual workshop
**all lunches during studio days will be catered family-style in the studio mezzanine midday