CHINA PAINT ANOTHER WAY:
Graphic
Techniques in China Painting
with Ilona Romule
February 5 -11, 2017
Explore the story
within—give that story voice… Spend
a week creating entirely unique paintings on porcelain with Latvian Artist,
Ilona Romule, internationally known for her graphic techniques in China
Painting.
There is much to cover, be prepared to work! Beginning with traditional overglaze painting
techniques-- brushstrokes, watercolor and more—participants will familiarize
themselves with the materials before moving on to Ilona’s signature approach:
applying drawing onto the porcelain, mixing colors for various applications,
lines, dotting, crosshatching, etc.
Participants will also be introduced to contemporary or “effect”
techniques, including the use of latex resist for lusters, scratching or
Sgraffito, applying decals, sponging, fingertip painting, relief paste dotting,
and sugar water technique under lusters. While the technical aspects will be
amply illuminated, the true focus will be on the deeply individual matter of
allowing China Painting to reveal one’s own story.
Open to all level of
experience and artists of various media (ceramics, painting, drawing, graphic
art). Porcelain pieces for painting will
be provided by Gaya Ceramic.
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5 February: Sunday (evening) Welcome
Dinner MOKSA restaurant
An enticing evening
of introductions and dinner hosted by Moksa Restaurant (moksaubud.com). Ilona will present a slide show of her
artistic journey, sharing images to outline the breadth and scope of her painted
ceramic works. Following this,
participants will be asked to introduce themselves briefly (5minutes/10 images each)
offering an opportunity to familiarize ourselves with one another, our
background, experiences, and motivation to be joining the workshop.
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6 February: Monday (9am-5pm) China
Paint Full Immersion Gaya CAC
Morning: saturating our thoughts in China
paint--beginning with a slide talk introducing images of participants from the
previous workshops leaded by Ilona, images of professional China painters from different
schools and countries, and images of paintings by the artists from different
art fields
Demonstration: saturating our thoughts in technical
possibilities
·
mixing
the colors for different techniques;
·
preparing
porcelain white ware for applying the image by pencil;
·
dividing
colors by firing temperature groups;
·
traditional
Chinese and European Overglaze Painting techniques: brush strokes, water
color technique, enameling, applying lusters and precious metals’ - Gold &
Platinum);
·
applying
silkscreen decals;
·
introducing
different oils and mediums to mix China Paints;
Demonstration: Ilona’s authored graphic techniques
·
transferring
drawing from the paper to the surface of plate,
·
painting/drawing
with pen with fine calligraphy nib: cross-hatching technique, pointillism
technique;
·
combining
two techniques: relief paste dots with sugar syrup and metal lusters on the
top,
·
applying
and crackling metal lusters,
·
using
latex resist painting under metal lusters,
·
sponging,
·
applying evenly
China Paint color on large surfaces with nib, brush and sponge,
·
graffiti
scratching technique,
·
making
white frame on the ready painted plate.
LUNCH (family
style in the studio mezzanine)
Afternoon: hands-on in
the studio! Participants begin learning to mix paints for
particular painting technique, trying all the painting techniques demonstrated
by Ilona.
Choose a favorite
technique/s and start to paint.
_________________________________________________________________________________
7 February: Tuesday Painting Personal projects GCAC
Participants launch
into painting and experimenting with all of the previously demonstrated
techniques-- with help and assistance of Ilona.
LUNCH (family
style in the studio mezzanine)
Overnight firings scheduled
as soon as kiln is adequately filled (numerous firings anticipated)
_________________________________________________________________________________
8 February: Wednesday Telling
One’s Story in Images GCAC
Participants continue
developing personal projects under guidance of Ilona.
LUNCH (family
style in the studio mezzanine)
Overnight firings scheduled
as soon as kiln is adequately filled (numerous firings anticipated)
_________________________________________________________________________________
9 February: Thursday Onward
with Illustrations GCAC
Participants continue
developing personal projects under guidance of Ilona.
LUNCH (family
style in the studio mezzanine)
Overnight firings scheduled
as soon as kiln is adequately filled (numerous firings anticipated)
evening: a
digital presentation about different Symposia and residences given by Ilona
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10 February: Friday Lusters and
Lower Temp Firing Gaya CAC
Second firing for the
same work—participants will have opportunity to experiment with lower
temperature colors and metal lusters and gold & platinum.
LUNCH (family
style in the studio mezzanine)
Final firing
overnight of completed works.
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February 11th:
Saturday Balinese Ink Painting/Concluding Exhibition Ubud/GCAC
morning: an excursion to the Puri Lukisan Museum
(a collection of the various historical painting “schools” in Bali) and a
visit to Pura Dalem (one of Ubud’s finest examples of temple architecture and
ornamental carving)
LUNCH (family
style in the studio mezzanine)
afternoon: Returning to the studio to unload last
firing, including all pieces to a small “exhibition” of finished works. A final discussion/commentary. Photographing and packing pieces (packing
materials supplied).
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